Media Coursework Of Mice & Men Essay

Of Mice & Men is a in truth poignant, appealing and insightful novella as rise up as film. It is a very powerful and emotional piece, which studies the themes of nature, dreams, violence, friendship, suffering, loneliness and more. The author, caper Steinbeck, produced this fascinating novella in 1937, yet the film which was produced by Gary Sinise (who played George), was published in 1992. In America, in 1929, The Wall Street Crash occurred which led to The Depression in 1930. Both the novella and film be based around those two events, as John Steinbeck used his experiences from life in California, as background for Of Mice and Men. For example, Of Mice and Men is set in the farmland of the Salinas River, where Mr. Steinbeck himself was born. Using information from not just solitary(prenominal) my knowledge, I will illustrate the differences between the film and novella of this popular piece.The novel is told from the point of view of a third-person, who can access the point of view of some(prenominal) character as required by the narrative. Chapter one begins by unfolding the setting near Salinas River, the place in which the novella takes place. As a reader, you are introduced to the beautiful atmosphere that is exemplified by the writer. Mr. Steinbeck immediately describes the scenery and the animals in their natural surroundings. He uses illustrious description for the audience to imagine that they are present in this peaceful area.Many literary terms are used at heart the text such as a 3 part lists molted, white, recumbent limbs.., poetic imagery golden foothill slopes and the leaves lie deep and so crisp that a lizard makes a great skittering if he runs among them as well as assorted tones hillsidedeep and green, twinklingyellow sands. Steinbeck refers to the colour green as it represents nature, and yellow as it refers to light this type of text is used to file the readers how idyllic the setting is.Intrigued by how lovely the atmosphere is, r eaders dont take notice of the absence of people. As the writer gives us an idea of how the animals register themselves, and how they live in this serene place they call home, we are suddenly introduced to the two chief(prenominal) characters of the novel. In beginning his novel with such fury on the setting, Steinbeck accomplishes numerous goals. He sets the tone and the atmosphere of the storys location, introduces his two main characters, uses imagery which has been previously stated, and foreshadows later events in the novel.The attention to his choice of lyric and repetition are just two examples of how he accomplishes his goals such as drawing the readers attention, intriguing them, wanting them to conduct reading. For example, the setting is a few miles south of Soledad, California, near the Salinas River. Soledad is a Spanish word that translates into solitude or loneliness, a reference to one of the novels main themes. Steinbeck also shows the relationship between Geor ge and Lennie, and the attitude in which they behold, by the use of effective descriptive writing. In terms of the style of narration, third-person omniscient is used to leave behind us, the readers, with information, including all actions that take place within the novel.By way of contrast, the first shot of the film is very dramatic. It begins with George vividly emerging from a dark note on the train, due to flashing lights. This is shown from a close-up shot. Not long after, shot two begins with a land appearance. A woman who is unknown to the audience emerges, zip and screaming with all her might through a field, as she seems appallingly frightened. This gives the audience a sense of contemplation, questioning the condition of herself, as well as her predicament. At the same time, you start to see both George and Lennie, the two main characters, rapidly running away from a group of men, some on horses backs and others on foot having dogs by their side. The camera shot used w ithin those scenes was crosscutting. In this case, it is the edit of two shots combined.The advantage of crosscutting is that the tension within the audience is increased. Viewers would continue to question whats going on, as they are not aware of subsequent events. Although a close up and crosscutting scene is applied in the beginning, within the film, a consistence of mainly straight-on angle shots is visible. Unlike the novel, the film shows the viewer what things look like from the characters point of view, visually, rather than having to imagine everything. Due to less emphasis on written language, the film eliminates many characteristics of the novel. The continuation of viewers watching the film depends on the visualized picture the action, the suspense, the music, ect.Throughout the beginning, heart-racing types of melodies begin to play. Percussion and draw off instruments are heard within the music to give an I wonder whats going to happen now- effect. The atmosphere beco mes tenser as a gird up is developed and the music volume rises. The camera gradually zoomed back and forth during the film to focus on the character or background. Although it is merely only the opening of the film, as shown by these two extracts, there could already be a tense atmosphere within the audiences perspective, as well as their attention span being drawn towards the film in a stronger manner.Evidentially, you can see that both the film and text differ immensely. Personally, I believe the film producer chose to differ the opening of the novella, to attract the audience making them intrigued, wanting to watch the film and wonder what happens next. The display of George being on a train with no meaning to the viewers in his first appearance, or the screaming from the mysterious woman, captivates the audience. In my opinion, the film gives more of an effect to the audience, hardly because the novella only creates images in a persons mind, while the film gives an unsolved, puzzled thought. The movie would attract individuals who like a bit of closed book and suspense, unlike the novella which would draw attention more to the civil, passive type of audience.