Quentins Passion and Desire in The Sound and the Fury Essay example --

Quentins Passion and Desire in The vocalise and the Fury As Quentin Compson travels through the countryside with his college friends, the reality of the situation becomes terribly crushed by memories and past feelings. After a little girl follows him for miles around town, his own sexuality reaches the forefront of his consciousness and transforms itself into disjointed memories of his sister Caddy. Quentins aeonian obsession in William Faulkners The Sound and the Fury, surrounds a defining sexual moment with his sister. Though the physical act never appears in plain vocabulary, Quentins patent recede into an inner monologue demonstrates his overwhelming fixation with Caddy as well as a textured representation of their relationship. Sexual language pervades his inner consciousness - scents, sounds and colors represent his passion and desire. Elements of nature, when associated with his sister, become titillating the tiers of description, no matter how seemingly m undane, tend to be steeped in sexuality. Quentins lapse into past events with Caddy begins in the midst of typical conversation with his friends as they drive through town. His attention to reality is shattered by an unconscious slip into thoughts of his sister. As the eyes of the little girl snap Quentin into a reverie of sexual exploration, his haggling wander haphazardly, even before the cypher of his sister, prone on the banks of the river, comes to mind. If I tried to hard to stop it Id be crying and I thought about how Id thought about I could not be a virgin, with so many of them walking along in the shadows and whispering with their soft girlvoices lingering in the shadowy places and the words coming out and perfume and eyes you could f... ... environment to evoke much(prenominal) passion. Although Faulkner rarely refers to sexual acts directly, the use of language through Quentins consciousness and inherent monologue is so rampant with erotic metaphor and passionate depth, that a simple object, such as a pocket knife, transforms into the most brisk of symbols. Works Cited and Consulted Faulkner, William. The Sound and the Fury. New York Vintage Books, 1984. Harold, Brent. The Volume and Limitations of Faulkners Fictional Method. coetaneous Literary Criticism. Vol. 11, 1975. Hoffman, F. J. and Vickery, O. W. William Faulkner Three Decades of Criticism. New York, Harbinger, 1960. Irwin, John T. A Speculative rendition of Faulkner Contemporary Literary Criticism, Vol. 14, 1975. Polk, N. New Essays On The Sound and the Fury. Cambridge, Cambridge University Press, 1993.