Coping Mechanisms in Kurt Vonnegut’s Slaughterhouse-Five Essay

People react differently to tragedies some mourn, some utter up, and some avert the sorrow. In Slaughterhouse-Five, Kurt Vonnegut suggests the danger and inhumanity of turning onward from the discomfort by introducing Billy Pilgrim as some bingle who is badly touched by the aftermath of the Dresden bombing, and the Tralfamadorians as the aliens who provide an easy solution to Billy. It is simpler to avoid something as tragic as death, but Vonnegut stresses the importance of confronting it. Vonnegut, like many artists, expresses his ideas through his creations. The significance of art is not confined to helping and animate the general public the process of creating art also becomes another variate of coping mechanism for artists. In Slaughterhouse-Five, Vonnegut expresses one of his ideas by focusing on the emotional impact of wars, instead of historical details. Because of this, Slaughterhouse-Five has received criticism for not being an accurate account of the Dresden bombing. There is no cause and ensnare in the book, not even a climax that is common to making it a good work of fiction. Vonnegut puts together the refreshing with small episodes and scatters them end-to-end the book without an actual timeline the readers are traveling with Billy being fitful in time, living in the past, the present, and the future. It is, after all, not a story book but a science fiction novel. Vonnegut clarifies the logic of the novels style through the Tralfamadorians, who explain to Billy the layout of their books There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we get laid in our books are the depths of many marvelous moments seen all at one time (Vonnegut 112). It is clear that the Tralfamadorians... ... Vonnegut, Kurt. Slaughterhouse-Five. New York Dial. 2009. Print. Vees-Gulani, Suzanne. Diagnosing Billy Pilgrim A psychiatric Approach to Kurt Vonneguts Slaughterhouse-Five. Critique 44.2 (2003) 175-84. Print. Racks traw, Loree. The Vonnegut Cosmos. The North American Review 267.4 (Dec. 1982) 63-67. JSTOR. Web. 25 Sept. 2011. Simpson, Josh. This burnished of Great Secrets Literature, Ideas, and the (Re)Invention of Reality in Kurt Vonneguts God Bless You, Mr. Rosewater, Slaughterhouse-Five, and breakfast of Champions Or Fantasies of an Impossibly Hospitable World Science Fiction and passion in Vonneguts Troutean Trilogy. Critique 45.3 (2004) 261-71. Print. Grace, Gillian. Music for a broken urban center The Cellist of Sarajevo is a novel-length lament of war. Canadian Broadcasting Corporation. CBC, 22 April. 2008. Web. 28 Sept. 2011.