Nanook of the North (1922)

Robert J. Flahertys non-fiction, silent documentary film, Nanook of the North (1922) was about the everyday life-time of Nanook, Nahla, his wife, Ollie his firstborn boy and Rainbow his youngest child. Their daily struggle to survive in a harsh and unforgiving environment of an icy footing b raiseing Inukjuaq, on Hud boy Bay in arctic Quebec, Canada Eskimos (Inuit) include inquisition, fishing, trading, and migrating with slim or no industrial technology. Flaherty took his camera to matchless of the close unexpected place to not only write, provided too to direct, produce, shoot, and edit out the whole film. The film contained many images that caught my financial aid as a viewer. It likewise brought the world a impudentlyfangled name of filmmaking. The film exposed lives of the people we dont see around, and so get to only a little knowledge about. It also garbled our differences and similarities as human beings. Spring resembled a clean new start and winter resembled the opposite. They worked individually for survival and with their participation for more. They strengthened igloos, traveled with the kayak, wore fur clothes and sealskin boots to slide by warm, and hunted for fishes, polar bears, and walrus for fodder. They also valued each other as family, children played in the snow, father taught son hunting, mother bathed children, and dogs helped the family hunt.

I personally think Nanook is the hero of the film. He was a master hunter, skilled fishermen, and an architect who was patient period hunting and loving toward his family. He protected and pro vided clothing and food for them. This ele! gant cultural film was all possible with Flahertys superstar course of efforts and patience. Unlike many other film writers, he insisted on shooting a natural film. He also shoots and picks up many things he probably did not recognize while shooting. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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